Motion Graphics

Adobe Point Text vs. Paragraph Text

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When you need to create text for your projects, you can turn to Adobe Photoshop, Adobe Illustrator, or After Effects. With each application, there are two ways you can create a text layer. You can use either Point or Paragraph text in each application, both offer benefits and you should carefully choose which you want.

Point Text

Click in the Comp window and start typing to create Point text. Point Text treats each line you type as a separate block of text. New lines will only be created when your press the Return (Enter) key. This method is useful if you want to align the text to a specific point on-screen.

Paragraph Text

Click the left mouse button down and drag in the Comp window to create a Paragraph text block. The edge—the text’s bounding box— is defined by how far you dragged the mouse when you created the paragraph text layer. This style of text wraps text around to the next line when your type reaches the edge of the current line.

You can resize the bounding box by clicking to place the cursor within the text, then dragging on one of the sizing handles around the perimeter of the bounding box. Shift-dragging a sizing handle will constrain the proportions of the bounding box. Make sure you don’t accidentally drag a sizing handle with the Selection tool, or you’ll scale the text, not it's bounding box.

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Free Webcast: Motion Graphics with Adobe Creative Suite 5 Studio Techniques

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I have a
new webcast on motion graphics that's been released by Creative Edge. It's a one hour show and it features some of the best techniques from a new motion graphics design book.

The whole thing is absolutely free… just be sure to click the full-screen button so you can better see things.

Almost all motion graphics artists today use After Effects, Photoshop or Illustrator to some degree in their projects. During this complimentary webcast, you will learn how the Adobe Creative Suite can benefit your motion graphics workflow; discover ways to connect After Effects, Photoshop, Premiere Pro and Illustrator; gain important knowledge of essential techniques like repairing and retiming footage, stylizing footage, background design, and using 3D objects and cameras; and explore advanced techniques like DVD menu design, motion control 3D and panoramic images. This webcast is ideal for both intermediate and professional users who want to incorporate CS5 into their own work.

Photoshop for Video Returns with New Episodes

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In case you missed it, the Photoshop for Video podcast is back with new episodes!

These two have been released and more are in the queue. A big thanks to Creative COW for sponsoring the show.

Photoshop and AE: Refine Edge Command and 3-D Motion Control

Photoshop and AE: Layer Comps

You can find a list of more shows here – http://library.creativecow.net/tutorials/adobephotoshop

Or subscribe in iTunes – http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=173706237 where the show has hit #7 in its category!

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If you'd like to follow my public Facebook page – click here – http://www.facebook.com/RichHarringtonStuff
More of a Twitter person? Then click here –
http://www.twitter.com/rhedpixel


Understanding Type on Pattern

Unlike most print designers, video artists must design type over diverse canvases. Often this background contains a full spectrum of color. Achieving sufficient contrast is the key to preserving legibility. When using light-colored type, it is essential to make it larger than if it were dark type. Don’t be tempted to use all uppercase to make the letters stand out. Unfortunately, uppercase letters take more time for the viewer to recognize word shapes and process what they are seeing. This is generally time they don’t have.
Applying a stroke, outer glow, or tight drop shadow is an effective way to getting a contrasting edge. The biggest problem with type and video is that there will always be light and dark elements in your scene. It is crucial to add a contrasting edge to any type that is going to be keyed over a full-chroma, moving background.

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A Hue/Saturation adjustment layer offers a nondestructive way to check contrast of type over a patterned background.
One way to test your contrast is to convert the file to grayscale. This can be achieved with several methods:

  • You can print it out in Grayscale.
  • Add a saturation adjustment layer, and desaturate (set to 0% Saturation).
  • You can use the History panel to create a duplicate document that you flatten and desaturate.


Adequate separation between foreground and background elements will make for better viewing for your audience. Think of color as tonal value. Some combinations show very low contrast when desaturated.

Free Motion Graphics Webcast onThursday, July 21

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THURSDAY, JULY 21, 2011, 10 AM PDT/1 PM EDT

For this one-hour webcast with Richard Harrington, co-author of Motion Graphics with Adobe Creative Suite 5: Studio Techniques.

Almost all motion graphics artists today use After Effects, Photoshop or Illustrator to some degree in their projects. During this complimentary webcast, you will:

  • Learn how the Adobe Creative Suite can benefit your motion graphics workflow
  • Discover ways to connect After Effects, Photoshop, Premiere Pro and Illustrator
  • Gain important knowledge of essential techniques like repairing and retiming footage, stylizing footage, background design, and using 3D objects and cameras
  • Explore advanced techniques like DVD menu design, motion control 3D and panoramic images

This webcast is ideal for both intermediate and professional users who want to incorporate CS5 into their own work.

There will be five copies of the book given away and all attendees get
15 days of complimentary access to all of Creative Edge including Motion Graphics with Adobe Creative Suite 5: Studio Techniques.

Photoshop's Spell-checker

Photoshop has become a freestanding graphic creation tool. It is now possible to proof your text in a number of different languages. If you are familiar with a word processor’s spell-checker, Photoshop’s will seem completely standard. Remember, you must set the language for a text field by using the dropdown menu in the Character panel. To launch the spell-checker, choose it from the Edit menu (Edit >Check Spelling). If it flags a word that you know is right, you can choose to ignore it or add it to your dictionary. There’s no earth-shattering technology here, but the cries of web and video designers have been answered.

dictionary

Related to the spell-checker is a Find-and-Replace command. This allows you to go through all of your text layers and swap out words. Say that you’ve listed Williamstown Resort throughout your full screen graphics. A few days later, the client calls and says it’s actually Williamsburg Resort. You can have Photoshop scan through and replace all instances of the improper name throughout your composition. Again, the technology is standard, but it can be a time saver.

A Good Argument for Larger Type

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Remember when your mom used to yell at you for sitting too close to the TV? Now look at you, just inches from your computer's screen.

When designing video graphics, speaker slides, or even websites, you’ll likely use type that’s entirely too small. Remember, use a larger font and get some distance between you and your monitor. Get up, and stand a few feet away for a while (or even stand in the back of the room for slides. Review your graphics from a more reasonable vantage point.

For more on design... check out these books:


Free Webcast on Motion Graphics Plus Free Ebooks for Signing Up

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This complimentary webcast is brought to you by Creative Edge, videos and books for creative people.

THURSDAY, JULY 21, 2011, 10 AM PDT/1 PM EDT

For this one-hour webcast with Richard Harrington, co-author of Motion Graphics with Adobe Creative Suite 5: Studio Techniques.

Almost all motion graphics artists today use After Effects, Photoshop or Illustrator to some degree in their projects. During this complimentary webcast, you will:

  • Learn how the Adobe Creative Suite can benefit your motion graphics workflow
  • Discover ways to connect After Effects, Photoshop, Premiere Pro and Illustrator
  • Gain important knowledge of essential techniques like repairing and retiming footage, stylizing footage, background design, and using 3D objects and cameras
  • Explore advanced techniques like DVD menu design, motion control 3D and panoramic images

This webcast is ideal for both intermediate and professional users who want to incorporate CS5 into their own work.

There will be five copies of the book given away and all attendees get
15 days of complimentary access to all of Creative Edge including Motion Graphics with Adobe Creative Suite 5: Studio Techniques.

Adobe Premiere Pro and Production Premium are Half Off for Switchers

Well, it looks like the folks at Adobe know an opportunity when they see it. They've launched a new campaign at http://www.adobe.com/products/premiere/switch.html.

If you are a Final Cut Pro or Avid owner, you can save 50% on full copies of Adobe Premiere Pro.

The better deal in my mind is Adobe CS5.5 Production Premium.

  • Adobe Premiere Pro
  • Adobe After Effects
  • Adobe Photoshop Extended
  • Adobe Media Encoder
  • Adobe Encore (DVD, Blu-ray, Flash)
  • Adobe Illustrator
  • Adobe Flash and Flash Catalyst
  • Adobe Story and CS Review


Just use the code
“SWITCH” during checkout. The code also looks to get you an additional discount on upgrades too (though not 50%). The discount doesn't show up until you go to pay, so don't panic.

The offer expires September 30, 2011.

Remember, the Adobe demos are fully functional for 30 days, so you can try them out with no risk.

I've got a bunch of Photoshop, After Effects, and Adobe Premiere Pro tutorials over at Creative COW in the podcast section.
You should also check out the new book for migrating editors–
An Editor's Guide to Adobe Premiere Pro

Even if you're unsure of your future, this is a great deal. We've used Photoshop, After Effects, and Adobe Media Encoder for years with Final Cut Studio. Classic FCP Editors should check out Video Made on a Mac: Production and Postproduction Using Apple Final Cut Studio and Adobe Creative Suite.

If you have trouble finding the promo, try these two links
http://www.adobe.com/special/offers.html?promoid=IUAXH
http://forums.adobe.com/message/3773888#3773888

Motion Graphic Resource Books

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A lot of resources are available that can impact your designs. The following list offers a few that we find most essential. This list is not exhaustive, but think of it as my "top picks."

Typography

Color

Design